Christmas - Then and Now

Christmas brings such mixed feelings anymore. I miss the days when I was young and with my family at my parent's house with few concerns beyond what's in that big present. Since my parents died, my two brothers and my sister and I have gone different directions and it's hard to get us all together. This year, my eldest brother's family were all in town, and I had them over for dinner which was wonderful. He has two lovely daughters, both married, one with a darling daughter of her own. The spirit of Christmas shone bright in the eyes of this little 2-1/2 year old. I gave her some froggy pajamas, and as soon as she pulled them out of the box, she stripped off her cute Christmas dress and wore the pajamas the rest of the night. I think we all wished we could do the same. I loved being with my brother and wished with all my heart that my other brother and my sister had been there, too. If only I'd known as a child to cherish those days when being together was the norm. But I guess you have to grow up to appreciate what you once had. Still, there's a lesson here that I realize I need to pay attention to: I need to cherish parts of my adult life now that may be lost to me sometime in the future.

A toast to success and critique groups

I attended my second meeting with my new critique group yesterday. This one was extra special because we celebrated a good friend's first book offer! Pam Mingle's beautifully written YA time travel book titled KISSING SHAKESPEARE will be published by Delacorte in 2012. In it, a young girl suddenly finds herself living in the past with a daunting mission: she must seduce William Shakespeare. Otherwise, all of his plays will go unwritten. The book weaves an intriguing romance with mystery, and is filled with wonderful descriptions of the period. I highly recommend it when it comes out.


After we toasted Pam, we reviewed a beautiful short story by Laura Deal. The overwhelming recommendation was that it was so well written and the story so captivating, we all wished it was a full-length novel. Amid the praise were thought-provoking recommendations for changes that must have left Laura a bit dazed which is often the case when you're the one in the "hot seat." Again, I was struck by the talent of these writers, while at the same time a bit intimidated knowing that I will soon be the one in the "hot seat." I came away wondering how anyone writes a truly great novel without input from fellow writers. So...here's to Pam and to my new critique group.

Worthwhile Endeavors Take Time

I spent this past weekend at a girlfriends getaway in a lovely mountain cabin. We all used to work together and have been friends for many years. There's nothing quite like close friends with whom you've shared many ups and downs of your life and of theirs, and who can gather around the fire and pick up on any conversation because you know each other so well. Years of experience has its advantages, both in friendships and in writing. I cringe sometimes when I go back and read some of my very early work. They're two dimensional, like factual accounts of a kid's story rather than the subtlety it takes to make the reader feel like they're actually living the story along with the protagonist. Furthermore, they lack the emotional depth needed to make the reader care about what happens to the characters in the story. To achieve these essential elements takes hours upon hours of reading and writing for children. That's not really surprising. Anything worth doing well requires that kind of stick-to-it-ness, that kind of dedication. You have to love it, and I do. I'm on my fifth year of writing and revising my tween novel, SEASHELL SECRETS. I'm almost finished with what will hopefully be my last revision, which was quite extensive despite the fact that it won first place in the children's category at last years Pikes Peak Writers Paul Gillette Contest. Even after all these years and all this work, I still love the story, in fact, even more now. It remains to be seen whether a publisher will love it, too.

New Critique Group

I attended my first meeting with my new critique group yesterday. What an incredible group of writers! I've known some of them through workshops and conferences, and already knew the talent in this group was extraordinary. We meet once a month for four hours. The members take turns hosting the meeting, and it's a lovely atmosphere with snacks provided. Yesterday we reviewed a short chapter (possibly middle grade) book. The comments and suggestions offered were direct and insightful, not just to the author of the work, but to me, and I suspect to everyone in attendance. New members must wait three months before submitting their own work for review. The review itself can be grueling, but what an incredible opportunity to learn and improve my work. I was in a critique group prior to this, also wonderful writers, but the group began to dwindle and I was delighted to be invited to join my new group. About half of them are published. All of them are incredibly talented. They'll definitely keep me on my toes!

Using the Five Senses

At the prompting of my fabulous mentor, I'm focusing on making more use of the five senses to make my scenes come alive. It's always such a delight to find books written by authors who excel in this. One of my favorites is The Secret Life of Bees. So the other day, I paid close attention to an outing with my niece and my 2-1/2 year old grand niece as we met for a picnic in the park. What a lovely day that was. The sounds: happy squeals as kids rush to the swings, parents cautioning to be careful. The smells: freshly watered grass, occasional whiffs of dust as little feet patter across the playground. The visual: Little bodies wriggling across the monkey bars, colorful fall leaves drifting to the ground, wide eyes trying to decide what activity to do next. Taste: ham and turkey sandwich dabbed with red wine vinegrette, lightly salted chips, juicy grapes, and chocolaty brownies. The feel: the gentle autumn sun on my skin, the warmth inside as little hands reach for the peanut butter and jelly sandwich I made especially for her. We couldn't experience life without all of these sensory inputs. How can we expect our readers to feel the life in our books if we leave them out?

RMC-SCBWI Fall Conference

No matter how many times I attend a Rocky Mountain Chapter's SCBWI conference, I leave feeling rejuvenated and excited about writing for children. Bruce Coville's keynote address was both inspirational and humorous as he adapted the seven deadly sins for writers. The audience, in laughter much of the time, was also moved to tears. His talk reminded us that sometimes, as we spend many hours alone writing, we need to be reminded of the many lives our novels can touch. The conference offered participants an opportunity to submit the first page of their novels to be read aloud and reviewed by an editor. I read the submissions and Kate Harrison, senior editor for Dial Books for Young Readers, commented on each of them. I was proud of the quality of these submissions, and awed by Kate's thoughtful review of them on the spot. Author Traci Jones did a marvelous session on Tips for Writing a Multicultural Novel. Her words were particularly relevant to me as I work on revisions to my tween novel, SEASHELL SECRETS, which takes place in the early 1960s during the Civil Rights Movement. Author Denise Vega reviewed ways to ratchet up the tension, and evaluate and improve scenes in your novel. I walked away with ideas for improving my own work. Later that afternoon, I listened to a panel of agents and editors respond to questions from participants. It was a lively session with all of them responding to great questions about the publishing industry. Elizabeth Law, Editor of Egmont Publishing, was delightfully fun and funny. Of course, one of the best perks of these conferences is the opportunity to mingle with so many talented writers and illustrators. I'm so impressed with the professionalism displayed throughout, and all the hard work of so many volunteers to make the entire conference run smoothly. I can hardly wait until the next one!

Real life experiences

My brother writes beautiful poetry. I write children's books. We've exchanged work and it's so fun to talk writing with him. As a good brother should, he pays my work high compliments. And I am in awe at how he can say so much with so few words. (He was kind enough not to remark that I could say so little with so many words.) In recent works, we both honored our father, a kind, gentle man who battled macular degeneration before his death. My brother's lyrical description brought tears to my eyes. In my middle grade novel, DON'T LOOK BACK, I relied on memories of Dad's experiences to create my grandpa character. Even my own words at times brought tears to my eyes, but that's when I knew I'd accurately captured pieces of my father's life. Real life is multifaceted, good and bad, pain and laughter, sorrow and joy. The trick in any artistic endeavor is to feel it deeply enough to recreate it, to relive it as you reproduce it, whether it's in a painting, a poem or a character.

TRY HARDER, WRITE BETTER

I learned so much from Claudia Mills as she mentored me through my middle grade novel, DON'T LOOK BACK, that I asked her if she'd consider mentoring me on a revision of my tween novel, SEASHELL SECRETS. Both of these manuscripts are "completed," and both have won awards in the Pikes Peak Writers contest. But I knew in my heart that both manuscripts had problems I couldn't identify. And both had been reviewed by my wonderful critique group. I believed in the stories in each book and didn't want to give up on them. The SCBWI Mentor Program offered the perfect vehicle for me to move forward. I'm excited about the revised manuscript and have begun sending it out. Meanwhile, I'm delving into revisions to SEASHELL SECRETS with the hopeful attitude that working with Claudia gave me with DLB. In our very first meeting on SS, she made a suggestion that completely transformed the approach I'm taking at the beginning of the novel, and I'm loving it, and hope my reader will, too. It's amazing to be excited about a book you've already revised a number of times, but I am. SEASHELL SECRETS is a story about racial prejudice and racial identity during the turbulant times surrounding the Civil Rights Movement. I first wrote this book about four years ago, set it on the shelf for a while, but am ready to revise and polish it now. I recently read THE HELP and was humbled by the depth of the story and the beauty of the writing. I've heard some writers say that reading such magnificent books makes them question their own ability. It makes me want to try harder, to write better.

Finishing a Novel

Authors express a variety of feelings upon completion of a novel: exhilaration, letdown, relief, anticipation...and the list goes on and on. I just completed my middle grade novel, DON'T LOOK BACK, and am going through a variety of emotions. Certainly I feel the exhilaration of writing the last chapter and typing the words "THE END." But I also miss working on it. My mentor, Claudia Mills, once paid me a wonderful compliment. She told me she loved my characters so much she wished they were real and she could go visit them. Her words were music to my ears. The truth of the matter is, I miss the characters myself. I loved creating their stories--their challenges, setbacks and accommplishments, and putting words in their mouths only they would say because that's how I created them. I've begun sending the manuscript out to literary agencies, and pray that someday I'll see that book in libraries and stores where children can meet my characters and hopefully love them, too. Now, it's time to shift my attention to a brand new story with brand new characters, all with their own gifts, faults and challenges. I can hardly wait to meet them!

Pikes Peak Writers Conference 2010

I attended the 2010 Pikes Peak Writers Conference last month and as always, it was fabulous. It never disappoints, from the keynote speakers, to the sessions, to the hobnobbing with other authors. The opportunity to pitch to agents and editors is a special feature of the PPW conference. This year, I pitched to Sarah Warner and found her to be attentive and delightful. And there was an added bonus: a special 4-hour workshop by Donald Maass on enhancing the tension in your novel--great timing for me. He's such a master, and did a wonderful job, especially considering it was Sunday afternoon, the end of the conference, and all of us (probably including him) were tired. We were told to bring a manuscript-in-progress to work on during the workshop. It was interesting to apply his teachings to our own work. Kudos to all of the volunteers who make this conference one of the best in the country every year.

Tension in story telling

I had a really interesting meeting with Claudia this morning. She hit on a key ingredient to writing a good novel, and one I was struggling with as I reached about the halfway mark of my novel. The ingredient I'm talking about is TENSION. I didn't have any trouble with it in the beginning of my novel as I put my character in a tense situation right off the bat. But there comes a part in many novels where things begin to mellow. In mine, it was a part where the main character and a secondary character were beginning to gel. I mean, gelling sounds like a good thing, but not if it puts the reader to sleep. I had actually recognized this problem in my novel before starting my mentorship with Claudia, and tried to remedy it by introducing a whole new tense-filled storyline. However, Claudia pointed out that this thrown-in storyline only detracted from the main story. The tension needs to revolve around that main story throughout. So I've deleted the added storyline (which was no small task since in wound through various areas of the book) and am back to work with setting a few road blocks and setbacks in my character's path in order to heighten the stakes in her main quest...a very interesting challenge!

Childrens Books as Gifrs

I went to my granddaughter's 8th birthday party yesterday. What fun! I gave her a United States of America game, and 3 books. I loved seeing the smile on her face as she thumbed through the books. One was extra special. It's called PERFECTLY CHELSEA and was written by my mentee, Claudia Mills. I had told my granddaughter about my participation in the RMC-SCBWI Mentor program and about Claudia, and she was thrilled when she saw the special note to her inside the book, signed by Claudia herself! It's so fun to see a child become interested in books. Suddenly, a million worlds are opened up for her. I remember the thrill of reading a book you don't want to put down, can hardly wait to get back to, and feel a sense of loss when you come to the end. But then...you find another one, and the cycle starts all over again. A writer can provide so much joy to a child. What a great way to spend your life!

Kids as Motivators

I attended a dinner a couple of nights ago held in celebration of volunteers and contributors to the Ridgeview Youth Services Center, a model program designed to treat young boys who have been sentenced by the courts to the Division of Youth Corrections (DYC) for serious crimes they committed. DYC is a wonderful Colorado state agency which oversees both state-run and privately-run (e.g. Ridgeview) programs for kids in trouble with the law. It was great to see several staff with whom I'd worked during my time as Director of Research for DYC. One of the speakers at the dinner was a former Ridgeview client who is soon to become a teacher. There are many similar success stories for kids whom, by the time they reach Ridgeview, many have given up on. A couple of years ago, a former work cohort and I partnered to teach a one-day class on life skills at Ridgeview through the Junior Achievement Program. It was a fabulous experience. The kids were respectful, attentive and eager to learn. We ate lunch in the cafeteria and listened while kids talked about the books they were reading. Their excitement was contagious and I could hardly wait to get home and work on my novel. There's nothing more motivating than the enthusiasm of kids, especially kids who are finally finding their way in a world that has been wrought with problems and heartbreak.

Character Driven Novels

I'm drawn to character driven novels in which the plot and tension revolve around the main character. Some of my favorite character driven childrens authors are Sharon Creech (won the Newbury for Walk Two Moons), Katherine Paterson (author of Bridge of Teribithia and many other beautifully written award winning novels), and Kate DiCamillo (Because of Winn Dixie among others). These authors skillfully develop incredible child protagonists with such wonderful detail to personality that you feel you've known them all your life. As I attempted to write my own character driven novel, DON'T LOOK BACK, I found myself developing tension through additional storylines rather than through the character herself, a flaw Claudia Mills (who has created her own delightfully dazzling characters in the 40+ books she's published) immediately honed in on. I could see it so clearly as we discussed it, and I'm now in the process of getting rid of one (and possibly two) entire storylines, and working on developing my character's personality more fully, down to her little habits and innermost feelings, and centering most of the tension around her motivation, goals, setbacks and growth. It's quite a challenge but so satisfying when it starts coming together. Character development is crucial in any novel, but when you're not writing a mystery or an action-packed sci-fi, and the tension in your story centers almost entirely on the character herself, it's imperative that the author know this character as if it were her own child, or maybe even herself, an incredible challenge since the character is actually a figment of her imagination.

My Mentee Experience So Far

I'm into my second month as a mentee in the Rocky Mountain SCBWI's new Mentoring Program. Claudia Mills is a terrific mentor. First she makes me feel like a Newberry winner by identifying the parts of my book she loves. Then she hones right in on problem spots and is so good at voicing what's wrong with them, I wonder why I ever wrote it that way in the first place. It's up to me to fix the problems, of course, but Claudia remains so positive that after our discussions I can hardly wait to tackle the changes. My first chapter is now 3 chapters. Many writers are told to do just the opposite and start the book at a later place, but my new beginning feels so much richer. My character and the setting came more alive in those earlier chapters. I'm about a third of the way through my novel, and even though I've revised this story several times, I'm excited to work on it again, almost as if it's a brand new book. I have some hard revisions coming, though, and it'll be interesting to see how these go.

SCBWI Mentor Program

I'm so impressed with the energy and creativity of our Rocky Mountain Chapter of SCBWI! They recently came up with a "Mentor" program, aimed at many of us who have been writing for years with no publishing success yet, but with completed manuscripts and some kudos (e.g. contest wins) along the way. The essence of the program is that you get to work with a local author on a completed manuscript for 6 months! I applied and was accepted, and am now being mentored by the wonderful, talented Claudia Mills, author of over 40 childrens books. What an incredible opportunity. We've just begun and I've already completely rewritten the beginning of my novel, and I think it reads so much better. The six months will involve a lot of work, but whether or not I walk away with a publication, I'll learn a ton from Claudia, things I can apply to future work. So thanks, RMC-SCBWI, for this opportunity!